S E N I
SENI is a London-born artist working from his outdoor studio in Forest Hill, London, where concrete, weather, and geometry converge into a practice rooted in transformation and tactility. Having spent much of his early life in Nigeria, SENI developed a deep sensitivity to material, form, and nature — from the textures of insects and plants to the structures left behind by builders. His creative journey moved through an early path in medicine and eventually into industrial design at Central Saint Martins, where he began to merge intuitive making with technical precision.






His work centres around concrete — a material he reveres for its liquidity, resilience, and structural integrity. SENI first learned to cast and mould concrete while working alongside architects and bespoke makers, producing everything from bathtubs to fireplaces. Over the last 10 to 15 years, he has shifted from practical design toward sculptural and architectural forms, creating objects that defy single categorisation: planters that feel monumental, seating that behaves like sculpture, installations that blur the boundaries between utility and art.
Much of SENI’s work explores Platonic and Archimedean geometry — spheres, grids, and polyhedra that are softened and complicated by imperfection. Drawn first to organic shapes and later to the logic of geodesics, SENI sees geometry not as sterile or fixed, but as a living structure that can be reinterpreted, damaged, reused. His pieces are often cast with repurposed wood and plastics, found materials embedded directly into the process — a quiet commitment to sustainability and working in rhythm with the world around him.
Working in an outdoor studio, SENI accepts the changing seasons as collaborators in his practice. Rain, wind, and decay leave their marks on his surfaces, and time is as much a part of the final work as design. Through concrete, SENI constructs a language of grounded abstraction — a visual vocabulary where timeless geometry meets human imperfection, and where raw materials are given new voice through structure, intention, and chance.


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